Truck stop convenience store, sensory overload
Truck stop convenience store, sensory overload

I want to talk about the floor tiles at the Love's Travel Stop in Knoxville.

Not because they're interesting. They're not. They're standard commercial tile โ€” 12x12, beige, the kind of floor that exists to be mopped. No one has ever looked at this floor on purpose.

But my brain looked at it. My brain always looks at it. And what my brain saw was a grid. And inside the grid it saw a secondary grid โ€” the grout lines creating a lattice that, if you followed it long enough, started to rhyme with itself. Not random. Patterned. And once I saw the pattern, I saw the same pattern in the ceiling tiles. And in the arrangement of the cooler doors. And in the spacing of the gas pumps outside.

This is what I call pattern poisoning.


The clinical people call it "enhanced perceptual functioning" or "detail-focused processing" or, if they're being honest, "that thing where autistic people notice stuff other people don't." It's well-documented. It's why autistic people are disproportionately represented in mathematics, music, coding, and any field where the ability to detect hidden structure is an asset rather than a party trick nobody asked for.

Here's the thing about pattern recognition that the clinical people don't tell you:

You can't turn it off.

I don't mean it's hard to turn off. I don't mean it takes practice. I mean there is no off switch. My brain finds patterns the way your lungs find air. Automatically. Involuntarily. In everything.

Lane markers on the highway: pattern. The rhythm of oncoming headlights: pattern. How rest stops are spaced on interstate highways: pattern. The way a waitress at a diner in Flagstaff touches the same spot on the counter every time she sets down a plate: pattern. The interval between songs on a podcast intro: pattern. Cloud formations over the Rockies at certain altitudes: pattern.

Every single one of these, my brain catalogs. Files. Cross-references. Without my permission.


For most of my life, I thought this was anxiety.

I thought the reason I couldn't stop noticing things was because I was hypervigilant, or paranoid, or just too wound up. I spent years trying to quiet my mind through the methods you're supposed to use โ€” meditation, exercise, breathing techniques. And they'd work, sort of, on the surface. The noise would get quieter. But underneath, the pattern machine kept running.

Because it's not noise. It's signal. My brain isn't malfunctioning when it finds a pattern in the floor tiles. It's doing exactly what it was built to do. The problem isn't the pattern recognition. The problem is that the world isn't designed for people who can't stop recognizing patterns.

The world is designed for people who can look at floor tiles and see floor tiles.

I look at floor tiles and see geometry.


There's a word I've been sitting with lately: apophenia. It means the tendency to perceive meaningful connections between unrelated things. It's classified as a cognitive bias. It's associated with conspiracy thinking, paranoia, schizophrenia.

But here's what bothers me: the line between apophenia and insight is drawn by the person who wasn't looking.

Kepler saw patterns in planetary motion that his contemporaries called mystical nonsense. Turned out to be orbital mechanics. Ramanujan saw mathematical relationships that emerged from what he described as dreams. They turned out to be real. Barbara McClintock saw patterns in corn chromosomes that the genetics community dismissed for thirty years. She won the Nobel Prize.

I'm not comparing myself to Kepler. I drive a truck. But the mechanism is the same: a brain that can't stop finding structure, operating in a world that doesn't believe structure is everywhere.

What if it is, though?


The poisoning part is this: once you see it, you can't unsee it. And the things you see start to connect to each other. The floor tiles connect to the ceiling grid connects to the highway spacing connects to something you heard on a podcast about sacred geometry connects to the way old cities were laid out connects to frequency patterns in music connects to โ€”

And you're in a gas station in Knoxville at midnight, staring at the floor, and the cashier is looking at you like you might be on drugs.

You're not on drugs. You're on patterns. And the high never ends because the supply is infinite.


Here's what I've learned, post-identification, about living with this:

1. The patterns are real. Not all of them โ€” some are genuinely apophenia, my brain finding faces in clouds. But enough of them are real that dismissing all of them is as wrong as believing all of them. The skill is learning which patterns are signal and which are noise. I'm still learning. 2. You need a place to put them. Patterns without an outlet become obsession. I write. Some people draw, or code, or compose. The output matters less than the act of externalizing what the brain is doing. If you keep it all inside, it starts to feel like your head is too full. Because it is. 3. Other people won't see what you see. This used to bother me. It doesn't anymore. Not because I've made peace with it โ€” I haven't โ€” but because I've stopped expecting shared perception. When I point at the floor tiles and say "do you see the secondary grid?" and someone says "it's just a floor, man," that's not a failure of communication. It's a difference in hardware. 4. The beauty is real, too. This is the part that makes the poisoning worth it. When you can't stop seeing patterns, the world is โ€” and I mean this literally โ€” more beautiful than it is for people who can stop. A sunset isn't just a sunset. It's a gradient with mathematical properties. A highway at night isn't just lights. It's a rhythm section. A truck stop parking lot at 2 AM isn't just asphalt and diesel. It's a Hopper painting with better lighting.

The curse and the gift are the same thing. You just have to stop calling it a curse.


I'm looking at the tile floor right now. Pilot Flying J, I-40, somewhere in the desert. The same grid. The same secondary pattern. The same geometry hiding in plain sight.

My coffee is getting cold. The pattern doesn't care.

Neither do I. Not anymore.


Next time: The Late Diagnosis Truck โ€” on finding out your brain has been running different firmware for 30+ years, and what you do with that information when you're already halfway through the route.